Source: Review Copy
Price: £39.99 plus BOODLES OF DLC
Where To Get It: Steam

It speaks volumes that, when attempting to talk about the FATE universe(s), I end up using a lot of jargon, and a lot of things get capitalised. So let’s try and keep that to a minimum, because I want you to understand why I’m okay with FATE/Extella, and its rather… Odd universe…s.

Yes, it’s a JRPG/VN/Musou game, so there is the obligatory “Ohhhh *Japan* ! o.O” character.. Well, a couple.

Essentially, every now and again, regardless of universe, a war is fought over the Holy Grail. Yes, that one. That one which has also been a Cosmic Horror in disguise, is pretty much always the asshole kind of wish-granter that twists your wish in the most evil way possible, and somehow, keeps tempting people to summon spirits of heroes past, be they digital avatars with souls (as in the Extra/CCC/Extella universe), or literal phantoms of the past, drawn from their time to fight in a thematic cage match with one nominal winner. I say nominal because damn if the winner doesn’t nearly always get the shaft somehow. Like I said, the Holy Grail is an ass.

Anyway, the Grail War is over. SE.RA.PH, the amazing moon computer, has become peaceful, united under the rule of Nero Claudius, who is a woman, and of the “Oh, my brave love!” type. Iiiiit’s pretty obvious it’s written for the dudes, it must be said, even though the option of playing a woman is there (An option I took. It doesn’t make the romance dialogue any less awkward.)

EXCEPT THINGS, UNSURPRISINGLY, ARE NOT WELL! When are they ever, eh? Anyway, with a band of supporting heroes, a cast of villains, and robot/AI mooks aplenty to beat up, you… Wait, this sounds… familiar.

Yes, it has many of the same elements of Senran Kagura. Visual novel sections, broken up by sections where you wallop the shit out of mooks, defeat bosses, and, in a more traditional twist, have to successfully control portions of the map and do objectives before you do so. Things that add depth, like having to keep an eye out for Plants, which spawn enemy attack forces if you don’t murder them, get rid of thematic elements like Medusa’s Blood Fortress, and that most dangerous of tasks, Pursuing Lu Bu.

Luckily, like any Shounen Musou character, Nero Claudius (Who is a girl, yes) not only has her Noble Phantasm, she also has a Shitkicker Mode.

If you saw a lot of capital letters and jargon there, yes, this is largely unavoidable. Keeping it simple, the majority of the game is “Beat up mooks in rooms until larger mooks appear, beat them up, rinse and repeat until you control a room. Oh, and watch out for that other stuff like Plants, objectives, or the fact you have allies, and them getting beaten down makes your situation worse.” And then there’s the story bits, where the right choice when talking to your main Servant nets you better Bonds, those, in turn, net you scenes where you bond with that individual (romantically or otherwise), rewards…

…This is the first problem with FATE/Extella: Even though the game does its utmost to explain things, it’s one of those examples of a long running, multi-continuity series that feels dense to the outsider. I know some of it from the various anime (Yes, it’s a multimedia franchise too), but other bits feel a mystery, even if there’s an in-game Encyclopedia to try and explain it. It’s the same with a lot of the universe stuff. Players who’ve played the other games, or seen some of the anime in the Extra/CCC/Extella continuity, may well be ooohing and aahhing, but as someone who hasn’t? I’m mostly confused, except for the bits transplanted from other continuities or series. Nameless? Oh, yeah, that’s that guy! Meanwhile, why is Elizabeth Bathory an Idol Singer, and… Well, a bit of a joke character, to be honest?

Nero is somewhat exuberant, and… There was a word for her character, but I forget it. Answers on a postcard…

Despite my recommending a controller is used, the default keyboard controls aren’t actually terrible… But it does make for a lesser experience, as the camera is controlled with the arrows, the movement with WASD, and basic attacks and jumping lie awkwardly in the middle, so you sometimes have to awkwardly shift to… Well, see what the hell’s going on. The musou gameplay is alright, but the Bond system feels a little bit arbitrary sometimes. Not with the VN segments with each character, you’re playing to their mood to get on better with them, but with the side mission mechanic, which is taken from a pool of choices including things like “Eat 4 Yakisoba Bread in a single mission.” I’m not even sure I’ve seen a yakisoba bread, let alone 4. Similarly, unless you really, really need it (and you won’t, at least until the midgame on normal), do not use the Command Sigil thing, as it resets your bonds.

I could, in essence, say a hell of a lot more, because there’s a lot of mechanics, but the game tutorialises fairly well, and, although I grimace at the awkwardness of some of the VN writing, the overall idea is quite interesting, I like the world, and the musou beat-em-up segments have interest and variety to them. It’s still a shame it’s a later game in the series that’s translated, because you get that word salad that you’re already expected to know, but Fate/Extella does not appear to be a bad game. Just somewhat opaque to newcomers lorewise, and, as mentioned, a controller is highly recommended.

The Mad Welshman is still rather confused by VN/Musou hybrids, and the seeming need to shove a romance plot in there, but explanations thrown at me tend to make me dizzy.

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Source: Review copy
Price: £29.99
Where To Get It: Steam

Review – Senran Kagura Estival Versus

Senran Kagura, in a single phrase, is clunky and internally inconsistent. It wants to be humourous, and also to be a grim tale of women ninja fighting against yomi (Evil spirits.) It wants to be a Musou game, but also an eroge with what I’m assuming is meant to be women who are comfortable enough in BDSM to be completely open about it with each other (While also freaking each other out, another level of inconsistency), and also having RPG elements that, to be honest, only add grind and reduce clarity. It’s a game where even people who have noticed I disliked the game along the review process have been inconsistent in where they defend the game… From saying it’s “light hearted” to “surprisingly dark”, to saying the comedy’s bad, but it is a comedy (but it also isn’t), and giving me varying points at which it “Gets Better”, all of which, funnily enough, start about four or five hours into the game.

This is one of the points at which the game allegedly “Gets Better.” I wish I was joking when I said this.

Enough. Senran Kagura is inconsistent. Its combat flow is often broken up by the Shinobi Transformations (Which enemy named characters can do while you’re in the middle of a combo, throwing off your combo because hey, there’s a fifteen second animation playing in between your blows… It can be skipped with the Start button, much like the sometimes cringey cutscenes, but that doesn’t really solve the problem that it breaks gameplay flow), it has trouble telling you about your new moves, and the writing…

…When you have a game with several characters (At least twelve, it’s somewhat hard to keep track), you can’t help but either pad out the story (Which runs the risk of you forgetting what the hell is up with anyone) or painting characters as simple caricatures (Which runs the risk of those caricatures being, put bluntly, a bit shit.) As far as I can tell, both are happening here, with two chapters seemingly devoted to our heroines winding up on a beach world because… Reasons (Which aren’t made clear, even three hours in) and deciding “Hey, let’s do beach things, disregard these resurrected (Also all women) ninja that are trying to beat us up, and let’s… Beat each other’s clothes off, teehee!”

This is the *core* of the game, but… Everything else fights with this core for prominence. To the detriment of the whole.

Oh, did I forget to mention that, like Akiba’s Trip, the objective is to beat the clothes off fellow women ninja, while not losing your own clothes? Unlike Akiba’s Trip, though, this is dressed up in shallow BDSM talk that, at times, just makes me cringe. And I say that as a dom. Ryona, the extremely unsubtle hyper masochist, and Murasaki, the self-hating shut-in, are perhaps the worst offenders here, as something that I’m pretty sure is intended to be “funny” not only falls flat, but makes me say “WHOAH, CALM THE FUCK DOWN, SENRAN KAGURA, THAT’S NOT ON!”

But, of course, it “gets better”, as unlocks range from several varieties of clothing (mostly underwear) to beat off, special arena defeat cutscenes that range from the “Blah” to the “Oh, for the love of… [Facepalm] “, and, of course, the groping game. There’s a helluva lot of missions, and more in DLC that’s free or otherwise, but it seems that they all boil down to “Beat up everyone as quickly as you can while getting hit as little as possible”, and many of its mechanics are either explained in flow breaking, unskippable text boxes, or not explained outside of loading screen hints.

There *is* a reason this happens. The tone *does* change somewhat. But this, trust me, is in the middle of a *lot* of teeheeing.

As such, I really can’t recommend Senran Kagura Estival Versus, as it just has too much bad design, inconsistent writing, and, to be honest, cringey writing that just leaves me, not even chuckling, but coldly judging. Oh, and for those curious, this game might as well be controller mandatory, as the base keyboard binds make this a very difficult time on base KB+M (I’m sure a gaming mouse would help somewhat, but naw, stick to controller.) It’s not that good an eroge. It’s not that good a musou game. Its design elements conflict with each other, and honestly? I’m glad to be shot of it, now this review’s out.

The Mad Welshman is free. He can move on. His spirit is lightened. And he is grateful for this.

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