Price: £24.99 (Expansion Scenario: £5.99)
Where To Get It: Steam
I just keep finding cheerily dystopian games with guitars in, don’t I? Well, this one’s particularly cheery in its corporate dystopia, and is a metroidvania style deal in which your abilities allow you to explore the world more, see interesting beasties, and get yourself wrecked by them, so it’s not like I can complain. All I can do is eat the monsters that look rich. Or, more accurately, drain their mineral contents so I can make sweet, sweet traversal items and upgrades.
And, just like a metroidvania, there’s a fair amount of being lost, because, apart from shortcut points, you’re basically relying on muscle memory and a few upgrades to work out what’s what, and where.
So, first things first, the humour. Oh god, the humour’s on point, and it’s clear which rich asshole(s) Kindred corp’s head are inspired by. They shall not be named, for they are also namesearching rich assholes. But it’s pretty obvious, and oh boy are they smug, clueless jerks who’d rather throw money and people at a problem than use resources efficiently.
That’s our job, apparently.
Aesthetically, the game is pretty clear, with a clear, unobtrusive UX, cool alien designs that make the beasties in question instantly recognisable (along with other features, equally clear), and a broken world that feels awe inspiring at times to travel in. Musically, well, it’s good, it’s frontier western guitars, and yup, dystopian future with space-trucker guitars again!
This is not a bad thing. This is, in fact, a good thing. Equally good is the world. The pufferbirds are very satisfying indeed to feed to the grinding maws, to punt, and to generally bully, the creatures are, overall, well designed, big glowy weak points and all, and they feel like they belong in this screwed up, shattered world. Which, like your journey, is one big, long WHOOPS.
But it’s an enjoyable whoops that controls well, has some good acting (and some delightfully godawful adverts), a dystopian story that nonetheless made me laugh, and an ending that I saw coming a few hundred parsecs away, but still delighted me in the details. I found some of the later stuff and some of the bosses a bit of a drag, mainly because said boss fights were multistage, but also relied on maneuverability with limited healing, but overall, I found it well paced, and likable enough that I wanted to 100% complete before hitting that lever to take me back home.
And after I do, what I’ve found will totally be used safely for the betterment of mankind. Right?
Oh. Yeah. Comedic hellscape.
This review sponsored by CAMPING CUBICLE, the portable office cube with a coffee maker in-built, so you can feel like an office drone even in the farthest reaches of space, as you should!