Source: Cashmoneys
Price: £7.19
Where To Get It: Steam

A pinball game in which you are a JRPG hero (and occasionally their party), going through the game world and levelling up? Ohhh, that sounds so good, doesn’t it? And, if you were just going by the screenshots, it looks good too. Solid aesthetic, music fits…

But for me, it fails on one, absolutely basic element: Table design. And that’s an absolute killer, right there.

So yes, the game is a pinball game, and the story is more implicit than anything else: You are hero. Demon Lord up there somewhere. Go kick his ass, because you are hero.

…And nearly everything is bumpers and roundabouts. And the first area is where I’ve lost the most lives, even though it does at least a little to try and combat that. Because everything is bumpers. Enemies? Bumpers that move a little in preset patterns. Blocks? Bumpers. Bushes? Bumpers. They go away, but they always come back, and it’s quite easy to be launched after you’ve fallen into either the gutters after you’d blown up those bumpers, or the middle… And then get bounced right into the middle or the gutter all over again.

Now, I could nudg- Oh, wait. No nudge. No way to push the table to one side or the other to maybe guide the ball to, I dunno… Not a direct path to the gap between the paddles where the paddles can’t reach?

I could talk about the good spriting. I could talk about the clear demarcation for the most part of elements. I could talk about the music, a little stereotypical, but not bad music, and not a bad thing.I could talk about the simple and clear control scheme. But the table design is, in terms of points of interest, sparse. Everything being bumpers easily leads to unfair situations. And when your second tables are actually easier to climb than your first…

…It is unsurprising that, after I’d gotten enough to screenshot this, I just… Put it down. I have better tables. I have better multi-area tables. And I have tables that don’t commit the gravest sin I have ever seen in a pinball game.

This. If it isn’t clear, these two hexagonal wheels? Are also bumpers. Bumpers with physics, so when you bump off them, they rotate. I have never seen a table feature quite that sadistic. And I have no desire to deal with its bullshit.

No, really. Don’t design a table with all bumpers. Learn from this, kids. Please.

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Source: Cashmoneys
Price: £11.39 (£18.58 for Deluxe edition, £7.19 for Deluxe Content DLC)
Where To Get It: Steam

It’s been a while since I last looked at Demon’s Tilt, but it’s now out, and… Yup, it’s still a multi-segment pinball table where the three main features (bosses) change as you defeat them, is still a pretty tough pinball table that nonetheless is cool and interesting, and is still partly a bullet hell game where you can avoid the bullets, but sometimes using them is a better option. Oh, and nudge is encouraged, although the default keyboard binds (WSAD for nudge, the usual Left and Right shift for paddles, Space for the plunger) are a little uncomfortable (It has controller support, and I’ve had an okay time with that)

The amusing thing being, that I’ve already sung its praises in a previous review (Because yes, even for the price, this is a good and highly involved table, once you get to see things), there’s going to be a little repetition here. Actually, a lot of repetition.

The table is inspired by a few older pinball titles, namely Alien Crush and Devil Crush, and Crue Ball, and has three segments, a few hidden sub-tables, and, in EX mode, more hidden sub-tables. And each segment has at least one boss monster, from the Iron Chimera and Priestess Lilith, to the various gribbleys that populate the lowest segment.

Enemies only stop your ball from below, with the exception a few larger ones, and bullets kill the momentum of your ball regardless, so you can either use that to your advantage, swear and quickly nudge to avoid the dread drain (the pinball term for the ball falling below the lowest paddles, the point of no return), or… Well, not noticing and losing a ball. As well as all this, there are teleportals, spikes, the aforementioned sub tables… And aesthetically, it hits the nail on the head too.

Gothic imagery, synthwaveish tunes and neon splashes (and, indeed, neon splash text), good impact and UX layout… There’s a lot to like about it. Although, fair warning, it’s a stimulation heavy game, lots of things flashing and sparking and bouncing and flashing, and it’s very easy to get overloaded. But hot damn, it looks so good while it’s doing it! It even gives you a hint as to what to do to get your next letter on the three LOADSAPOINTS objectives, and highlights jackpots and super jackpots as they appear.

Of course, no game is perfect, and perhaps my worst criticism is that the flippers are a little slow, requiring you to account for this with your timing. More than once, I’ve said to myself “I’ll set up an end of flipper shot”, and watched in irritation as I hit the flipper half a second too late, and watched it slide a table segment down.

But, overall? For pinball fans, this one is basically a must. It’s an exciting table, it’s got a great aesthetic, there’s replayability, the obligatory leaderboards (My PB is 302M, I’m sure there’s folks out there that can beat that), and there’s a lot to explore.

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Source: Cashmoneys
Price: £11.39 (£18.58 for Deluxe edition, £7.19 for Deluxe Content DLC)
Where To Get It: Steam

Pinball is, in the physical world, almost an artefact, an anachronism vanishing into the historical distance. Wires, magnets, rubber, LEDs… But for an entire generation, they were a cultural touchstone. In the digital world, however, they still live. And the best of them take advantage of their medium, to do things that would likely be impossible with physical pinball tables. Both, however, can get a little arcane if you try and describe them mechanically. This ramp, followed by these bumpers, followed by this ramp, and then this ramp again, earns you… But This ramp, followed by this ramp, earns you a quick bonus, and if you can repeat that same trick fifty times…

So, it’s fairly safe to say I won’t be saying much mechanically, rather than what applies to all pinball tables: You hit the ball with the paddles, using what you observe of the ball’s physics to hopefully hit what you want, keeping it from falling “out” of the table. The ball falls out three times (or one, in Hardcore mode), and you lose.

Demon’s Tilt (Heavily inspired by games like Devil Crush or Crue Ball), specifically, adds a few things we haven’t seen in a while. It’s a Goth. Synthwave. Bullet hell. Pinball game. Now, don’t run away, it’s not as intimidating as I make that out to be, just… A lot to unpack!

Still here? Whew. Okay, so two of these are, essentially, aesthetic. Pentagrams, liches, and undead lions in iron masks mix with synthwave style neon splashes for score, jackpot, and other notifications, all to a hard driving, Sega Genesis style soundtrack (Itself having diverse motifs: Little bit of OutRun feel for a few bars, tiny bit of Castlevania for another, while still meshing really well.)

The “bullet hell” part is interesting, because, while the bullets kill momentum, they only get spawned under certain circumstances (Hitting one of the table bosses in their mid to late stages, for example), the enemies are mostly weak (and only kill downward momentum, which is really helpful), and, to help counter these extra considerations, the game’s tilt sensor (An anti-cheat measure, originally to ensure you weren’t just lifting the table and tipping the ball where you wanted it to go) is quite generous (to the point where it recommends you use tilt.) Although, like any pinball table, it can get pretty twitchy (and dealing with the twitchy portions is a key to mastery), the bullets are pretty slow, and thus, dealing with them is more a matter of perception, of thought, than of reflexes.

Finally, of course, it is a pinball table. While its table guide is a little sparse, the game helpfully tells you its Letter Goals (for the words ZODIAC, ARCANE, and HERMIT, aka LOADSAPOINTS, LOADSAPOINTS, and LOADSAPOINTS), and the UI is laid out fairly sensibly, with the central focus being… The three tiered table, each tier containing its own enemy spawns and bosses. Kill a boss’s multiple stages, and you get big points, before it returns the boss to its lowest stage. On the one hand, there’s a lot to parse, but it becomes almost second nature to identify certain things: Here’s where the jackpots are. Here’s the teleportals. Oh good, the untouched bumpers for the top-tier letter goal are highlighted, nice job!

There’s some minor performance issues, but, for the most part, that’s Early Access, and this is a well-polished, high-octane table that nonetheless gives you a little breathing room as it goes. Well worth a look for pinball fans, and, if you’re interested in how digital pinball tables can change the base formula in interesting ways, this one’s one to watch out for too.

The Mad Welshman Devil Crushed this review, in his opinion.

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Source: Cashmoneys
Price: £15.99
Where To Get It: Steam

Pinballtroidvania. That’s a word I never thought I’d use… And yet, here we are, with Yoku’s Island Express, which, in essence, is just that: Pinball, mixed with the design ideas behind the “Metroidvania” genre.

It’s cute, it’s fun, and, oh boy, is the post-game a slog. So, the more things change, the more they stay the same. Let’s talk about the main game instead for a bit.

Yoku’s Island Express is the story of a beetle, tied to a ball, working as a postmaster in a world of skullmonkeys, bearngineers, space monks, and great guardians being harmed by an ancient and terrible evil. And how does this tiny creature, held down as they are by a great weight, get around? Well, convenient pinball paddles, bumpers, and kickers. Makes perfect sense.

Needless to say, the world is not a serious one. You’re not going to find deep philosophical questions, and the narrative is very firmly subservient to justifying various elements of its world (such as the Dive Fish powerup, which involves… Wearing a fish friend as leggings) , but, props to the developers, it is internally consistent. Not much of it may be very deep, but it’s clearly considered, well sketched out, and, as odd as the world of Yoku’s Island Express is, it didn’t feel unnatural, and that, in and of itself, is something to praise. So… How does it look, how does it play, how does it feel?

Pleasant, overall. The aesthetic is good, with fitting, often heartwarming and cool music, the difficulty curve during the main story is smooth, and no individual “table” in this world is particularly bad or frustrating. Heck, some of them, especially the bosses and climactic moment tables (such as blocking hot-spring vents to help save the Skullmonkey tribe) are quite interesting, as multiball, in the context of this game, is always assistance from a group against some sort of threat. A sort of “Power of Friendship” thing, if you will. The world fits together well, and some of its secrets and powers (such as the Sootling Hookshot) are cool and interesting. The main game, it must be said, is enjoyable, if somewhat short, with a large world to explore, some funny dialogue, and a surreal world that can nonetheless be taken at face value, explored with that voice that says “This is silly” being relatively quiet throughout.

It’s when the story is over, though, and there are still things left to do, that the game falls somewhat flat. Thing is, this has been a problem with troidvanias of all sorts in the past as well, and I’ve never really seen a good solution to finding post-game collectathons involving collecting 100 of a thing, or triggering all of the things… Both of which are examples of the post-game, 100% completion “fun.” Does it have a better, true ending at the end of doing all the scarab marked paddles and shots and ramps, and collecting all the wickerlings, working out how to deliver parcels, and whatever the heck that space-monk thing was? Don’t know, don’t particularly enjoy finding out, never have.

Annoyance with collectathon postgames aside, as noted, the aesthetic is cool, it’s a nice world, and it was fun and interesting enough that I’d recommend it as an interesting variation on an established formula that mostly works… My favourite kind of recommendation.

The Mad Welshman loves that ancient sport, Pinne of ye Balle, experimentation with genre, and insectoids. He is a marketing anomaly.

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