Sublevel Zero Redux (Going Back)
Price: £10.99 (Soundtrack £4.99)
Where To Get It: Steam
Wait, I never reviewed the original? Apparently I never reviewed the original. Which is rather odd, because Sublevel Zero is exactly my jam, and exactly the sort of thing I’d want to tell you about. Even if, alas, many wouldn’t be able to play it for the same reason they can’t play other 6 degrees of freedom shooters, procedurally generated or not.
Yes, motion sickness warning on this one, and a biggie. Moreso if you’re going to try this VR. God, even I feel a little queasy thinking about that. Now, let’s get into it.
It is the far future. Space-time is kind of fucked. But you, a space explorer, have been drawn into a mysterious space station full of killer drones, a space station which might actually hold the clues as to what broke space-time in the first place.
Oh. Yeah. Those killer drones might be a problem. Also some of the generators at the end of each level getting all murderous, presumably because they heard their siblings got wrecked.
Good thing you thought ahead and have guns and missiles, isn’t it?
So yes, Sublevel Zero is a procedurally generated shooter, in which you fly around a station where “up” is a room to room matter of preference, you need to think in three dimensions (and keep track of enemies and hazards in those same dimensions), get to the end of each level, hopefully collecting lots of moolah and finding or crafting better weapons, engines, and armour along the way, until… The end. Individual runs are short, although they get longer the more you win, the more you unlock.
And it is a good game. The guns feel different, the unlocks are mostly reasonable, the story, as slim as it is, is slowly revealed to be a dramatic fuckup of epic proportions, and each enemy is recognisable by both shape and colour, even if, sometimes, they’re hard to spot due to mixing in with a specific biome (or deliberately and fittingly designed to be a little hard to spot until you’re too close, like the drone mines. Evil little things…)
Aesthetically, it’s that low poly shit I love so much. Clean, yet with character, a UX that does the job, maybe a little workmanlike, but overall, its worst sins are some smallish text, good and responsive controls, a decent tutorial, and enjoyable, mood fitting sounds and music.
Problems? Well… In its final levels, it relies a bit too much on rooms filled with monsters, which, yes, is hectic, but sometimes, it’s just… Annoying, a packed shooting gallery for you to waste ammo on, as they’re all jostling in the corridor.
Overall, though, it’s a solid roguelike shooter in an arcade style of space combat, a ship that has 6 degrees of freedom, and it comes recommended for fans of both.
Pew pew, pew pew pew pew…
What, were you expecting The Mad Welshman to have something else to say when there’s so much that goes pew pew? Oh wait, dakkadakkadakka. And KABOOOOOM. Yup, that about covers it.