Where To Get It: Steam
This is, honestly, the first time a metroidvania has bewildered me. Not confused. Not a dislike. Just a sort of mild “Wha- What’s going on?” Part of that is that it throws you into the storyline quite quickly. Part of that is that it’s a colourful assault on the senses at times, especially during boss time… And partly… It’s confusing, and doesn’t currently tutorialise well.
So yes, this is the story of Piko, a Piko Piko hammer (A plastic whack-a-mole mallet with rubber ends) wielding girl and her fox friend, both students at the Blacksmith Academy, where… Oh no, the Great Blacksmith Hammer has been stolen, the school is in ruins, and Teacher has been framed! Piko and her friend must beat the everloving crap out of people, mostly fellow students, until they can get to the bottom of this!
No, really, that’s the premise behind this indie metroidvania type deal. You are a girl with a surprisingly whallopy plastic hammer, who goes around hammering things, and using her special abilities, to go from boss fight to boss fight, solving hammer and ability based puzzles, and gaining powerups along the way, in their quest to… Basically, find out what’s going on. And it’s here where we get into “Shows promise, needs work” territory. Let’s start with the visual.
On the plus side, it has a windowed mode, the UX is pretty clear, it looks pretty, and only a few enemies are hard to distinguish from the backdrop (mostly the leafy enemies.) On the downside, windowed mode is a little glitchy on the highest windowed resolution it has, not actually resizing the display, and, if you want over 1440 width, you might as well go full screen (or 760 and some change, if you want your window not to be 760 and some change with lots of blackspace.) The sound design is nice, some nice chunky noises, and a fair few cute ones too, and, if you expected character design to be cutesy with a side order of “The hell?” in the case of some of the bosses (Like the german third grader transfer student in a tank), then you’re doing well. Similarly, the maps have enough interest, and locations of interest, to be able to lead you around.
Now, here’s where it gets annoying. The keyboard layout is, in and of itself, not bad. But it’s not signposted. So you won’t know without experimenting that jumping, then holding down and jump, will do a very useful move: A slam. You’d think it would be, for example, down and X (attack on the keyboard), but… No. It’s jump, and, in midair, whether you double jumped or not, down and jump. It wasn’t until a second run through that I even noticed Piko had a jumping special attack on C, because C normally results in your partner throwing a drill.
Oh, and down and C is a slide, which I also didn’t know about. Perhaps you can see why this might be a problem. Options? Not really. Is the hammer slam useful? Yes. But this leads into another thing… The hammer slam is, inarguably, one of your best tools for stunning bosses, letting you get free hits in. It’s also a bitch to land. So… It’s somewhat obtuse, requires experimentation with the controls, and some of its more useful skills, while you have them early on, are hard to use.
Does that make it a bad game? No. Once I got into the swing of things, I beat a few bosses, explored quite a bit, had a lot of fun, and, as mentioned, beat the everloving crap out of lots of cutesy things with my hammer. I even explored the world quite a bit, although there doesn’t appear to be much of a reason to visit many areas (maybe I haven’t gotten far enough.) But it does make it exactly what it is: A work in progress, an Early Access game with some “Mileage May Vary” warning in there. If you’re looking for another pixel metroidvania fix, and don’t mind the game being a work in progress, it’s worth a shot. Otherwise, wait.
The Mad Welshman also has a hammer, but it is not a Piko Piko. It’s a rather large Lucerne, for henchfolk who displease him.